The Remix Project 19.0 Graduation Showcase!

You're Invited! The Remix Project 19.0 Graduation Showcase! Dear Remix Community, Just a reminder – if you haven't heard y...

Insider's guide to Impressionism

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Impressionism picks from those in the know

It's National Volunteer Week! Find out what our volunteer Gallery Guides chose as their favourite works in Impressionism in the Age of Industry: Monet, Pissarro and more.

This sounds MASSIVE

DJ Killa Kels and Celebrity Marauders featuring Kardinal Offishall are spinning at AGO MASSIVE XV this Thursday, and we've got a playlist to warm you up.

An interaction with Emily Carr

"I find working digitally as physical as working with paint." Canadian artist Sonny Assu tells us about making art with Adobe Creative Suite, and why he chose to intervene in an iconic Emily Carr work.

AGO Live debuts with Daina Ashbee

Boundary-breaking artist Daina Ashbee talks about her latest performance, Serpentine, which kicks off our new performance series on April 26.

Two cities, two eras: a shared urban struggle

Modern-day Toronto and 19th century Paris have more in common than you think. Just ask visitors to our exhibition, Impressionism in the Age of Industry.

CLICK HERE FOR MORE AGO EVENTS, REMINDERS AND KEY DATES
PHOTO CREDITS: [1] Maximilien Luce. Factory in the Moonlight, 1898. Oil on canvas, Unframed: 55.9 × 46 cm (22 × 18 1/8 in.)  Carmen Thyssen-Bornemisza Collection, on loan at the Museo Nacional Thyssen Bornemisza, Madrid.  EXH.151744 [2] Image © AGO [3] Sonny Assu. Re-Invaders: Digital Intervention on an Emily Carr Painting (Indian Church, 1929), 2014. Archival inkjet print, Framed: 40 × 30 cm (15 3/4 × 11 13/16 in.). Purchase, funds donated by James Lahey and Pym Buitenhuis, 2018. ©Sonny Assu 2018/3587 [4] Photo by Carlos Cardona. Performer Areli Moran. Choreography Daina Ashbee [5] Impressionism in the Age of Industry: Monet, Pissarro and more, 2019. Photo AGO
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