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A bearskin sewn together into a bag rests atop a rectangular piece of fabric, laying atop a mound of white eggshells.

Take a closer look at Tim Whiten's Metamorphosis

See the lifecycle of Metamorphosis, on view now in the J.S. McLean Centre for Indigenous and Canadian Art.

A man holds a tablet in front of a painting, with a 3D model visible on the tablet's screen.

Seeing Impressionism in 3D

Explore the hidden secrets of Gustave Caillebotte's Le Pont de l'Europe 1876 through augmented reality at the AGO.

 

 

 

Painting with watercolours

HOW TO: painting essentials edition

Ever wanted to try your hand at painting? We can help. Get expert advice from our instructors on how to capture the beauty and movement of the ocean.

 

Celebrate Mom at the AGO

We've got brunch, Afternoon Tea and of course, art to help brighten your mom's special day this Mother's Day.

 

All that glitters

It was a night of crystals sparkling in art, dance and more. See the highlights from AGO Massive XV.
CLICK HERE FOR MORE AGO EVENTS, REMINDERS AND KEY DATES
PHOTO CREDITS: [1] Tim Whiten. Metamorphosis, 1978-1989. Ritual vessel (completely tanned bearskin, brass bells, cotton ties), grey pillow (cotton with synthetic foam), crushed eggshells, 4 glass votive containers and candles, 4 incense tiles, Installed (completed Ritual installation): 254 × 254 cm (100 × 100 in.) Overall (egg shell Ritual bed): 1.5 × 243.8 cm (9/16 × 96 in.). Purchase with assistance from the Estate of P.J. Glasser, 2016.  ©Tim Whiten  [2] Visitors using AR to view Impressionism in the Age of Industry, 2019. Work shown: Gustave Caillebotte. Le Pont de l'Europe, 1876. Association des Amis du Petit Palais, Genève. [3]  Image courtesy of the AGO [4] Image courtesy of the AGO [5] Image courtesy of the AGO
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